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《Journal of Peking University(Philosophy & Social Sciences)》 2012-03
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The Phenomenal Viewing of "Soundless Poems" and "Shapeless Paintings"

Zhang Yi(School of Literature,Nankai University,Tianjin 300071,China)  
The soundless poem refers to a painting,while the shapeless painting is actually a poem.This way of displacement is not only a reflection of the artistic phenomenon in which the meaning of a poem is contained in a painting and the art of drawing is contained in a poem,but also shows a hidden inner relationship between the aesthetic contemplation and the philosophical thinking with its spirit seen in the soundlessness and the shapelessness.If the silent viewing by listening to the shapeless with Qi determines the aesthetic orientation of the painter who tries to contain the meaning of a poem in his painting and takes landscape painting as the orthodox painting,and if the visionary viewing on the basis of the theory of prajna that the visibility of things is emptiness has made a decisive influence upon the prosperity of the landscape poems in which are contained paintings,then the formation of the aesthetic idea that poems and paintings were originally interlinked was based on the holistic perception with the six senses mutually used and also on the holistic viewing with a visual and auditory harmony.This aesthetic idea involves the connection between sight and hearing,the integration of matter and mind,and the aesthetic principle of the mutual generation of the realness and the unrealness.Silent viewing,visionary viewing and holistic viewing are three aesthetic ways of the phenomenal viewing in the creation of Chinese traditional poems and paintings.
【Fund】: 国家社科基金项目“宋元诗学与书画艺术相融合的现象学研究”(编号:10BZW045)的阶段性成果
【CateGory Index】: I207.22
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