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《Journal of Dalian University》 2004-03
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Ethnic cultural infusion and the Chinese ancient traditional operatic prosperity

LI Cheng (editor)~1~,~2 (1.College of Humanity, Dalian University, Dalian 116622, China;2. Chinese Department,Ha'erbin Normal University,Ha'erbin 150080, China)  
Culture of Northern Nationalities is an important part of the Chinese culture. it pecially discusses the relationship between Northern National eyhic cultural infusion、 Liao and Jin Dynasty literature and the prosperity of Chinese ancient traditional opera fictions. Professor Li Cheng claims the ethnic cultural infusion is one of important powers of Chinese literary transformation, especially culture of Northern Nationalities affects Liao and Song and Jin and Yuan Dynasty literary tendency, inner feature and style. Institutor Zhou Huiquan argues Liao and Jin Dynasty literature is the crystallization of cultural infusion and supplement of Han and Northern Nationalities. Professor Tian Tongxu reveals Sixteen and North Dynasty is the period when ancient traditional operatic formed and upsurged, while Jin and Yuan Dynasty is the period when ancient traditional operatic ripened. Mr Liu Dake discusses the ethnic cultural infusion and mutual exchange added to new factors and vigor to the development of ancient traditional opera.
【CateGory Index】: I237
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【Citations】
Chinese Journal Full-text Database 1 Hits
1 TIAN Tong xu WU Xing fang(Literature Institute, Shanxi University, Taiyuan, 030006,China);Must I Establish the Principle for the Wife" ——Divorce Phenomenon in Poems of Yuan Dynasty[J];Journal of Teachers College of Shanxi University;2002-01
【Co-citations】
Chinese Journal Full-text Database 10 Hits
1 LU Ke (Anhui Normal University,Wuhu 241003,China);The Esthetic Characteristics of the Heroic Tragedy in Chinese Classical Drama[J];Journal of Anyang Normal University;2007-06
2 FU Cheng-zhou(Department of Chinese,Central University for Nationalities,Beijing 100081,China);Ling Mengchu's View of Advocating Novelty and Two Volumes of Slapping[J];The Northern Forum;2006-06
3 ZHAO Li(Daqing Normol College Chinese Department Heilongjiang Daqing 163712,China);Discussion about the Effect of Taoist Music on the Huajian-Ci[J];The Northern Forum;2008-04
4 PENG Jing (Department of Chinese Language and Literature,Peking University,Beijing 100871,China);Rhythms in Huanshaji by LIANG Chen-yu[J];Journal of Beijing Normal University(Social Sciences);2007-05
5 SHENG Xue-mei(School of Foreign Languages Southeast University,Nanjing,210096);The Plot of Confucianism in Yang Chaoguan's Zaju——On the Characters with Benevolence in Yinfengge Zaju[J];Journal of Beijing Institute of Technology(Social Sciences Edition);2007-05
6 LIU Ying-bo( Department of Language and Literature, Liaocheng University, Liaocheng, Shandong, 252059);The Textual Research of Four Non-Dramatic Songs Writers in Ming Dynasty[J];Journal of Xihua University(Philosophy & Social Sciences);2007-01
7 ZHANG Yong-feng(School of Cinema and Television Arts,Communication University of China,Beijing 100024,China);An Important Case in the Change of Elegance and Vulgarity:Analysis on Controversy of the Hua and Ya[J];Journal of Chongqing University of Posts and Telecommunications(Social Science Edition);2008-01
8 PING Ying(College of Liberal Arts,Fujian Normal University,Fuzhou 350007,China);Comparison the View of Chinese Drama History of Wang Guowei with the View of Wu Mei[J];Journal of Chuxiong Normal University;2006-11
9 CHEN Ya-juan (School of Education, Jiangsu Teachers University of Technology, Changzhou 213001, China);The Social Content Embodied in the Attitude towards Love and Wedlock between the Intellectual and the Actress in Yuan-dynasty Zaju Plays[J];Journal of Jiangsu Teachers University of Technology;2006-03
10 YU Wei-min(Chiness Department, Nanjing University ,Nanjing 210093,China );Refinement of drama in the Ming Dynasty[J];Journal of Southeast University Philosophy and Social Science Edition;2002-02
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