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《Academic Journal》 1997-02
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Bertolt Brecht and the Contemporary French Theater

Gong Baorong  
The theater of Brecht was not broadly recognized and valued by French theatrical circles until the middle of the 1950's. After that, however,adoration for his theater lasted ten years and over, and his works and theory exerted a tremendous influence on contemporary French theater. It was in the 1950's that Brecht's theater was first introduced to the French stage by Vilar. Starting with a misunderstanding produced by the performance, this paper summarizes the process in which the epic theater was embraced by French theatrical circles and the great changes in artistic style of French theater in the 1960's.
【CateGory Index】: J809.5
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【Co-references】
Chinese Journal Full-text Database 9 Hits
1 YU Yifang;BRECHT FORSCHUNG IN CHINA (1929-1998)[J];DEUTSCHLAND-STUDIEN;1998-04
2 Zhou Suiming;Western left thoughts in the past 40 years and It's resurrection in 1990s[J];Issues of Contemporary World Socialism;2001-01
3 MA Hui (School of Chinese, Lanzhou University, Lanzhou, 730000, China);A Study of the Values of the Leftist Literature[J];Journal of Lanzhou University;2004-04
4 Gong Baorong;A Typical Representative of Le Theatre du Quotidien: Michel Deutsh[J];Academic Journal;1997-04
5 Ren Shengming;Augusto Boal and His Theory of the Theatre of the Oppressed[J];Academic Journal;1997-04
6 Guo Jide;The Playscripts of Contemporay American Ethnic Minority[J];Academic Journal;1999-02
7 Hu Zhiyi;Time and Space:The Original Structure of Drama[J];Drama(The Journal of The Central Academy of Drama);2002-02
8 Feng Shuo;Visual Arts of Post-Modernism[J];Drama(The Journal of The Central Academy of Drama);2002-03
9 Zhang Shimin;Alienation Effect: Exposing Drama as Ideology[J];Drama(The Journal of The Central Academy of Drama);2005-03
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