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《Academic Monthly》 2018-08
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The Variation of the Eight Main theoretical Categories of Chinese Contemporary Aesthetics

ZOU Hua;  
In the aesthetic thinking, the generation process of modern beauty is shown by four interrelated relationships which are the human-society relationship that reconstituted by ontological human studies, the things-persons relationship constructed by the subject of epistemology, the interlaced relationships between beauty, feeling, emotion and intelligence, as well as the confrontation relationships of art evolution. In theoretical form, these relationships are built from the following eight main theoretical categories: the historical ontology and existence ontology on the aspect of ontology,the cognition of social phenomenon and the cognition of abstract nature forms in epistemology, the intuition and contemplating of aesthetic consciousness, as well as the reproduction and expression in literary and artistic trends. Due to the serious misunderstanding of the aesthetic problem, this category system has been completely alienated in Chinese contemporary aesthetics: the historical ontology and existence ontology have been respectively dissociated into the ontology of abstract law and the ontology of material desire that sees things but not others; The two sides of subjective cognition are respectively dissociated into "conceptual cognition" which ignores social phenomenon but sets out from established concepts and the "cognition of formal beauty" that pursues dazzling formal beauty but abandons transcendental thoughts; The "intuition" and "contemplating" of art theory respectively alienated into two phenomenons of aesthetic incompleteness as both emotion and intelligence are absent, or one of the both being absent; Meanwhile the reproduction and expression of artistic theory are respectively alienated into "imitation" and "Unpredictability" of classicism. The comprehensive alienation of the eight aesthetic categories has greatly deterred the historical process of Chinese aesthetics from ancient to modern times.
【Fund】: 国家社科基金重点项目“中国古代审美意识生成机制研究”(13AZX025)的阶段性成果
【CateGory Index】: B83-092
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