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《Journal of Chuzhou University》 2013-01
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Analysis of the Strutcture of 《Gaixia Eternal Regret》 Played by a Combination of Erhu and Band

LI Chuanxing  
A moving melody must possess various forms and active reasoning of tone line and strict pitch demands.It is quite necessary to have different forms of superposition for the change of concord color and the set-and-rise function in the course of structural development.This paper is to interpret the differences between《Gaixia Eternal Regret》and other musical works in the aspects of the reasoning of pitch organization,the superposing forms of concord and the whole structure.
【CateGory Index】: J605
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【Co-citations】
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1 ZHAO Pei-yu(School of Music,Xinjiang Normal University,Wumuqi 830063,China);Musicological Analysis on Guo Zhihong's Xinjiang Dance[J];Journal of Anyang Normal University;2010-01
2 LI Tao;Analyze First Movement of Chen Yi 2nd Cello Concerto[J];Huangzhong(Journal of Wuhan Conservatory of Music,China);2008-01
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【Co-references】
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1 LIAN Kai-kai(Xuchang University,Xuchang 461000,China);A BRIEF DISCUSSION ON THE DEVELOPMENT TENDENCY OF CHINESE MUSIC[J];Journal of Nanyang Institute of Technology;2010-01
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