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《Tangdu Journal》 2012-01
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A Study of Creation Intention of National Scenery Drama

GAO Zi-min1,WEI Tie-ping2(1.School of Chinese Literature,Northwest University,Xi'an 710069,China; 2.Huaqing Hot Spring Tourist Company Limited,Shaanxi Tour Group,Xi'an 710600,China)  
With the advent of the visual era,the prosperity of the visual culture and the transformation of the human aesthetic vision,a new historic period of the double transformation of both spectacle and consumption society has come.In this background,it is evitable that the traditional art is undergoing a constant change towards visualization and scenery.Since the 20th century,in response to the challenge from films,television and other mass media,dramatists and drama theoretician have been exploring and practicing in an effort to break through its limitation.From the perspective of the cultural artistry,it serves as a cornerstone,marking the birth of the Chinese scenery drama with its remarkable national spirit and elegant aesthetic pursuit,it serves as a road sign,showing the direction of its future development.
【Fund】: 2009年度陕西省教育厅社科研究计划项目(09JK210);; 2010年度教育部人文社科研究一般项目(10XJCZH001);; 2010年陕西省社科科学基金项目(10K010)的阶段性成果
【CateGory Index】: J805
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