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《Journal of Xinghai Conservatory of Music》 2014-03
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From Cantonese Goldminers to Tan Dun: The Transmission of Chinese Musical Culture in New Zealand

Gong Hong-yu;Unitec Institute of Technology;  
The musical encounters between China and New Zealand from the latter part of the nineteenth century onwards form one of the most intriguing chapters in the history of Sino- New Zealand cultural relations. Yet there is remarkably little literature on it. This article aims to fill this scholarly lacuna by providing a broad- brushed account of the transmission of Chinese musical culture in New Zealand from the 1860 s to the present. It will have a three- fold focus: process,agency,and change. The emphasis here is on the role of Chinese music making in social engagement and maintaining cultural identity,rather than on music itself.
【Fund】: 福建师范大学海峡两岸文化发展协同创新中心“教育部哲学社会科学研究重大课题攻关项目‘中华民族音乐文化的国际传播与推广’”(10JZD0011);; 新西兰国立尤尼坦理工学院社会及健康科学研究院项目(RI14036)~~
【CateGory Index】: J607
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【Citations】
Chinese Journal Full-text Database 1 Hits
1 Gong Hong-yu;Unitec Institute of Technology;;The Unexpected Cultural Ambassadors: Chinese Gold Miners and Music Making on the Otago Goldf Mines of New Zealand[J];Journal of Xinghai Conservatory of Music;2013-04
【Co-citations】
Chinese Journal Full-text Database 10 Hits
1 Zhu Yukui;Review of Research on Fa Qu Music in the Tang Dynasty in Current Two Decades[J];Journal of Chengdu University(Social Sciences);2009-02
2 TIAN Zhi-fu(School of Sociology and History,Fujian Normal University,Fuzhou,Fujian,350007,China);Review on the Studies of Confucian Temple in the Last 20 Years[J];Journal of Xihua University(Philosophy & Social Sciences);2011-04
3 ZHA Ling-ling GAO Hai-lin (College of Art, Henan University, Kaifeng 475001, China);The Spread of Guyuejingzhuan in France[J];THE ORIENT FORUM;2005-02
4 XU Jun-ya (Department of Chinese,Taiwan Normal University,Taiwan,China);An Addition to Taiwanese Fu:Review from Medical Care Fu[J];Fudan Journal(Social Sciences Edition);2010-06
5 ZHOU Yun;The Historical Significance to the Cup of Cherry Blossom of Vocal Competition[J];Huangzhong(Journal of Wuhan Conservatory of Music,China);2007-01
6 ZHENG Rong-da;Comparative Research On the Tunes of Music Temperament Between China and Japan[J];Huangzhong(Journal of Wuhan Conservatory of Music,China);2007-01
7 Gong hong-yu;Missionary Pragmatism and Chinese Music:The Case of William Edward Soothill[J];Huangzhong(Journal of Wuhan Conservatory of Music,China);2008-01
8 JA YONG Qunpei;On The Similarities and Differences of Buddhism Music Between Japan and Tibet[J];Huangzhong(Journal of Wuhan Conservatory of Music,China);2008-03
9 KANG Ruijun;Research on the Institution of Royal Ritual Music in late Tang dynasty[J];Huangzhong(Journal of Wuhan Conservatory of Music,China);2008-03
10 YU Yun-fei;Why Did Kenzo Hayashi Alter the Tune Names of Ping Diao and Banshe Diao[J];Huangzhong(Journal of Wuhan Conservatory of Music,China);2009-01
【Secondary Citations】
Chinese Journal Full-text Database 3 Hits
1 GONG Hong yu;Musical Diplomacy of Emperor Zhao Ji and Eastward Spreading of Chinese Music during Song Dynasty[J];Huangzhong-Journal of Wuhan Music Conservatory;2001-02
2 WANG Xiao-dun;On Korea Ancient Music and Musical Literature[J];Huangzhong-Journal of Wuhan Music Conservatory;2005-02
3 WANG Xiao - dun; LIU Yu - jun;Looking At Music During the Song Dynasty From The Music Monograph on the History of Korean Music of the Tang[J];Musicology In China;2005-01
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